Retrofuturism, Now

TABLE OF CONTENTS

As we are in the beginning of AI age, retrofuturism emerges in the visual space. From the eerie offices in Severance, the vibrancy of On's Zone Dreamers campaign,1 through the neo‑vintage allure of recent classic car relaunches,2—we increasingly look back to other eras for inspiration. Getty Images' VisualGPS shows that half of global consumers see the future as anxious, and this fuels nostalgia marketing. The rise of retrofuturism speaks about how people are seeking to learn from previous generations’ navigation of past tech disruptions. 

What is retrofuturism?

It’s a bridge that reconciles the future with the past. If futurism anticipates the future, retro‑futurism is yesterday's tomorrow. Retrofuturism is also a highly visual reminder of mid‑20th century innovations, dreams and ambitions: Flying automobiles, space colonies and charming‑though‑sometimes‑a‑little‑clunky robots. But why is it catching our eye today?

Why now?

One answer is the endurance of nostalgia marketing. Socio‑economical crises have always inspired creatives and marketers to embrace the comfort of the past.This years’ Super Bowl advertising was dominated by nostalgia4 and it taps into our psychological need for comfort and familiarity, especially amidst rapid change. Needless to say, the AI progress that we are witnessing today might be the most disruptive that we will ever see. 

As we navigate this uncharted territory of AI‑led future, retrofuturism offers a visually familiar landscape. Furthermore, it offers texture and physicality over the purely digital aesthetics, considerably different to what we have previously seen in the tech visual space. Getty Images' VisualGPS research shows that in the past (and still today), visuals in the tech space often mirrored our digital lives, featuring straight lines, simple shapes, cold blue lights and abstract depictions of code and server rooms. The inevitable surge in digital technologies and behaviours as a result of the pandemic created a shift towards warmer, immersive colour palettes, like pinks and purples, and the incorporation of '80s and '90s‑inspired retro games. 

Ultimately, the rise of retrofuturism reflects our relationship with technology, encompassing both hopes and fears. Now that AI is taking off we're looking back at the industrial age, the atomic age, and the space race to see how people handled change and disruption and used these milestones to pave a new technological future. It's about understanding why certains elements of the past still resonate today.

Consumers are looking for stability and this is confirmed by our most recent VisualGPS research. When asked about appealing tech visuals, the feeling of 'security' was most popular worldwide, and though some other countries selected different desired feelings in tech, such as relatable (US, UK, Germany), intriguing (Japan), reassuring (France) and empowering (UAE), they still sit in a similar space and speak to a similar need for comfort and security. VisualGPS shows that when it comes to colours in tech imagery, those most appealing to consumers were vibrant and bold and they generally had stronger appeal than more neutral, subtle and subdued shades.

What’s next?

Retrofuturism's appeal is about optimism, vibrancy and a sense of possibility. Using vibrant, warm colours; blurred or grainy elements of analogue interfaces, reminds us that the future could be about imagination, creativity, meaningful innovation and possibility over cold data accuracy and optimisation. Think about analogue colour palettes with saturated pops. Imagine warm, muted colours with deliberate, contrasting accents such as electric blues, hot pinks, rich ultraviolets, juicy reds.  

To connect with audiences navigating rapid technological change, retrofuturism offers not only comfort, but also a sense of possibility, resonating with a desire for a hopeful future.  

Sandra Michalska
Manager, Creative Insights
As a Creative Insights Researcher for EMEA at Getty Images & iStock by Getty Images, with a focus on French speaking markets, Sandra works with an international and cross-functional team of researchers and art directors. Her expertise is rooted in brand strategy and visual culture, having spent her career in advertising and design agencies in Paris. Since 2020, she has been part of the Creative Insights team, helping brands navigate their visual strategy. She’s an avid cinéphile. Outside work, you can find her in cinema, museum or watching motorsports.

Sources
[1] On/Zone Dreamers
[2] Hagerty
[3] The Dieline
[4] The Drum
[5] AdAge

Related articles

Black Masculinity Reimagined › Jun 11, 2025 Juneteenth, Father’s Day, Men’s Mental Health Month, and Pride—oh my, what a wonderful time to be a Black man. But Black masculinity is not a monolith, and we must make a way for the realest, most dynamic depictions of them during this visual and cultural reckoning of reclaiming and redefining Black Masculinity. This includes Black men who are in tune with their emotions, Black men who don’t play about their role as a parent, and Black men who proudly embrace their own self-expression and one another regardless of differences.
Content Spotlight
Repicturing Indigenous Alaskans › Jun 10, 2025 An authentic and modern representation of the Indigenous Alaskan community is more essential than ever.
Meet Your Digital Twin › May 23, 2025 Conceptual visuals can help bring to life a new vision of the future, one where technology mirrors humankind, bridging the gap between abstract concepts and humanity.