Like most children, Emmalee's first experience of making music was with a plastic recorder and a number of other ill-advised toy whistles and trumpets. It was from here that she followed a not unpredictable but quite successful progression to the oboe, clarinet, and English and French horns. She studied (and is a great lover of) Romantic and Modern classical music, with a particular fondness for Debussy.
Perhaps the most important twist in this so far dull
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